Date: June 3 - June 14
Time: 7:30 p.m.
Cost: $12 Adults, $6 Students & Seniors
An original bilingual musical with Teatro Del Milenio of Peru. Blends Afro-Peruvian rhythms with African American beats. Shows are Thursday thru Sunday from June 3rd to June 14th, 7:30pm.
Tickets may be purchased online at www.brownpapertickets.com.
Akira’s Hip Hop Shop stars James Kyson Lee (”Heroes”) and Emayatzy Corinealdi (”The Young & the Restless”).
An interracial love story about a Japanese immigrant in love with hip hop who meets a young Black woman with a passion for Asian cuisine and culture.
ELI’S LIQUOR STORE 16 mins.
Written and directed by Arnold Chun and Alonzo Jones . Co-produced by Yealee
Song and Joseph H. Shim.
Set in Los Angeles’ Koreatown circa 1999. It’s the story of Elijah Gooden, a 43-year-old African-American man from Atlanta, Georgia. He graduated from Georgia Tech University and worked in corporate America before moving his family to Los Angeles to start his own business. He and his family experience culture shock and adversity as they struggle to build their livelihood in an area dominated by Asian-American business owners.
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Joseph Doughrity - Film Makers Bio:
Joseph Doughrity (”Joe D.”) is a writer, producer, and director. The son of an educator, Joe grew up an avid reader and developed hobbies ranging from sports to comics, videogames, and a fascination with Japanese culture. His first job in Hollywood was as a Production Assistant on John Singleton’s debut film “Boyz N the Hood”. This was the start of a five-year collaboration with the Oscar nominated director including serving as his personal assistant on the films “Poetic Justice” and “Higher Learning”.
Joe recogni
zed the significance of the Internet early and worked in the dotcom industry beginning in 1999 as a Content Provider for new media startup Psylum, Incorporated. When Psylum was purchased by USA Networks’ Sci-fi Channel, Joe was chosen to re-launch the Psycomic website and recruited iconic filmmaker Kevin Smith (”Clerks”) to write a weekly column that became the basis of his book Kevin Smith Speaks. Psycomic became a leading destination on the Internet for fans of comic books and graphic novels. He continues to work on the web serving as the Video Editor for PopCultureShock.com, a leading news, review, and interview site focusing on comics, movies and videogames.
Joe has written and edited for comic books (for Caliber Press, publishers of The Crow and U.N. Force), magazines (The Source, Rappages, Straight From the Lip), and
motion pictures (see partial credits below). As a documentarian, he created electronic press kits for the urban romance “Jason’s Lyric” and Tony Bill’s “A Home of our Own”. Joe’s “Seven Days in Japan”, a documentary he wrote, produced and directed, won Best Documentary at the 2005 San Diego Comic-con Film Festival beating out films which cost ten times its modest budget. “Seven Days in Japan” went on to screen at the Pacific Media Expo and premiered on cable’s BET-Jazz channel in February of 2007.
As a screenwriter, Joe has written for studios and production companies such as HBO (”Wheels of Steel: The KRS One/Scott La Rock Story”), Mandalay Films (”Grandmaster Flash”) and New Line Cinema. His recent scripts include “Motown Miracle: Soul on Ice”, the true story of a Black hockey team from his native Detroit, “Cornerstore”, a day in the life look at a liquor store, and “Akira’s Hip hop Shop”, an interracial romantic dramedy about an Asian man and a Black woman.
Joseph received his BFA from Columbia College-Hollywood where he majored in Cinema Studies. He is a member of the Writers Guild of America.
of a five-year collaboration with the Oscar nominated director including serving as his personal assistant on the films “Poetic Justice” and “Higher Learning”.
Wheels of Steel: The KRS One/Scott La Rock Story”), Mandalay Films (”Grandmaster Flash”) and New Line Cinema. His recent scripts include “Motown Miracle: Soul on Ice”, the true story of a Black hockey team from his native Detroit, “Cornerstore”, a day in the life look at a liquor store, and “Akira’s Hip hop Shop”, an interracial romantic dramedy about an Asian man and a Black woman.
The Langston Hughes African American Film Festival Underground Railroad Film Series presents ANOTHER
Filmmaker Michael Cho investigates his own family history and tragedy as he explores the Black/Korean conflict in the inner city as illuminated by the
The murder of his uncle in
In the article News at Eleven in the Big City[1], published in the film journal Wide Angle, Cho wrote:
"In Another America, a documentary that I produced about the relationship between Korean American merchants and African Americans in the inner city, I looked at the murder of one of my uncles, an immigrant from
Everyday, we witness other people's tragedies on television. Sometimes, their stories have an impact. Most other times, they are swallowed by anonymity and apathy and buried amongst the thousands of other tragedies broadcast everyday across the television spectrum. Then, one day I see my own family on television. Their grief shouts out to the viewers to wake up and see what's happening in their city. But in three minutes, it's over. There was little follow-up to my family's story. Soon other tragedies would displace ours.
As an independent filmmaker, I took on the job of pushing beyond what was covered by the local news. Like my father, I also wanted to tell a story of cities and the people who live in them. Behind my uncle's death, there was another story not told on television news. Behind the much televised conflict between Korean Americans and African Americans, there was another story. In Another America, I related how the deterioration of the inner city affects both groups. I looked at some of their history in this country. I explored the common economic and social issues that concern both communities. I examined how crime does not occur in a vacuum. TV news presents fear in the guise of delivering information. I wanted to promote understanding by telling the stories behind the story. I wanted the viewer to get to know a part of their city that they may never visit and to understand its peoples."
The Underground Railroad, a project of the annual Langston Hughes African American Film Festival, is a fall - through -winter film and discussion series. Using the metaphor of a series of strategically located “Safe Houses” in
[1] Wide Angle - Volume 20, Number 3, July 1998, pp. 145-149.
