The Langston Hughes African American Film Festival Underground Railroad Film Series presents ANOTHER
Filmmaker Michael Cho investigates his own family history and tragedy as he explores the Black/Korean conflict in the inner city as illuminated by the
The murder of his uncle in
In the article News at Eleven in the Big City[1], published in the film journal Wide Angle, Cho wrote:
"In Another America, a documentary that I produced about the relationship between Korean American merchants and African Americans in the inner city, I looked at the murder of one of my uncles, an immigrant from
Everyday, we witness other people's tragedies on television. Sometimes, their stories have an impact. Most other times, they are swallowed by anonymity and apathy and buried amongst the thousands of other tragedies broadcast everyday across the television spectrum. Then, one day I see my own family on television. Their grief shouts out to the viewers to wake up and see what's happening in their city. But in three minutes, it's over. There was little follow-up to my family's story. Soon other tragedies would displace ours.
As an independent filmmaker, I took on the job of pushing beyond what was covered by the local news. Like my father, I also wanted to tell a story of cities and the people who live in them. Behind my uncle's death, there was another story not told on television news. Behind the much televised conflict between Korean Americans and African Americans, there was another story. In Another America, I related how the deterioration of the inner city affects both groups. I looked at some of their history in this country. I explored the common economic and social issues that concern both communities. I examined how crime does not occur in a vacuum. TV news presents fear in the guise of delivering information. I wanted to promote understanding by telling the stories behind the story. I wanted the viewer to get to know a part of their city that they may never visit and to understand its peoples."
The Underground Railroad, a project of the annual Langston Hughes African American Film Festival, is a fall - through -winter film and discussion series. Using the metaphor of a series of strategically located “Safe Houses” in
[1] Wide Angle - Volume 20, Number 3, July 1998, pp. 145-149.